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Orfeo

The Orfeo standmounter – the reference standard of what can be achieved in the world of sound reproduction in a compact two-way form – is the result of a quarter-century experience in speaker development and production.

The uncoloured instrument tonality, the natural coherence of the performance, the large dynamic headroom and the vanishingly low distortion are the basic sound characteristics of the Orfeo. The technology of uncompromising drivers, manufactured in Italy under the AudioBarletta brand, is based on decades of experience with some of the world’s most renowned manufacturers – we have learned from them and moved on, beyond drivers with real world limits, whether mechanical parts, carefully selected membranes, their impregnation or shapes. The goal was just one – perfect reproduction of music from a compact cabinet.

Extremely exceptional are the surface finishes that can withstand the strictest standards of the world of luxury products – meticulous handwork, selected solid wood, carefully and absolutely flawlessly applied varnishes, all to the highest standards.

Under the gorgeous look of Orfeo is hidden all the know-how of Xavian – custom-made drivers or highly sophisticated frequency crossovers that include top class Jantzen and Mundorf components or our very own Fase Zero technology for optimal driver connection

In just one word – reference.

EPIC SOLUTIONS:

  • handmade solid oak enclosures, which are worked for several days due to their rugged shapes and extraordinary thickness
  • complex internal bracing system for perfect cabinet rigidity
  • AudioBarletta drivers custom-made to the highest possible standards and manufactured in Italy with oversized magnetic “motors” and carefully selected diaphragms
  • labyrinth working chamber of the tweeter
  • all drivers are paired by hand
  • short-circuiting copper rings in magnetic systems that make the drives more precise
  • technologically advanced crossovers with precision Mundorf and Jantzen components
  • exclusive and absolutely unique finishes that stand up to any comparison – especially the premium “marina” finish
  • flat reference class frequency response
  • extraordinary dynamic headroom
  • precise internal damping using several layers of complementary materials
  • option of frequency response fine tuning
  • magnetically attached cover grille

BUY DIRECTLY FROM XAVIAN *

* apply only in selected areas, for the complete list of distributors please click here

Pro více informací a dostupnosti nás kontaktujte na e-mail info@xavian.cz For more information and availability contact us via e-mail info@xavian.cz
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The Orfeo standmounter – the reference standard of what can be achieved in the world of sound reproduction in a compact two-way form – is the result of a quarter-century experience in speaker development and production.

The uncoloured instrument tonality, the natural coherence of the performance, the large dynamic headroom and the vanishingly low distortion are the basic sound characteristics of the Orfeo. The technology of uncompromising drivers, manufactured in Italy under the AudioBarletta brand, is based on decades of experience with some of the world’s most renowned manufacturers – we have learned from them and moved on, beyond drivers with real world limits, whether mechanical parts, carefully selected membranes, their impregnation or shapes. The goal was just one – perfect reproduction of music from a compact cabinet.

Extremely exceptional are the surface finishes that can withstand the strictest standards of the world of luxury products – meticulous handwork, selected solid wood, carefully and absolutely flawlessly applied varnishes, all to the highest standards.

Under the gorgeous look of Orfeo is hidden all the know-how of Xavian – custom-made drivers or highly sophisticated frequency crossovers that include top class Jantzen and Mundorf components or our very own Fase Zero technology for optimal driver connection

In just one word – reference.

EPIC SOLUTIONS:

  • handmade solid oak enclosures, which are worked for several days due to their rugged shapes and extraordinary thickness
  • complex internal bracing system for perfect cabinet rigidity
  • AudioBarletta drivers custom-made to the highest possible standards and manufactured in Italy with oversized magnetic “motors” and carefully selected diaphragms
  • labyrinth working chamber of the tweeter
  • all drivers are paired by hand
  • short-circuiting copper rings in magnetic systems that make the drives more precise
  • technologically advanced crossovers with precision Mundorf and Jantzen components
  • exclusive and absolutely unique finishes that stand up to any comparison – especially the premium “marina” finish
  • flat reference class frequency response
  • extraordinary dynamic headroom
  • precise internal damping using several layers of complementary materials
  • option of frequency response fine tuning
  • magnetically attached cover grille
Midbass Driver

175 mm AudioBarletta – special impregnated paper membrane, aluminium phase plug, die cast basket, extreme magnetic “motor”, extreme excursion, extreme frequency response

Tweeter

AudioBarletta – 29 mm voice coil with flat aluminium wire, soft dome, thick copper ring in “motor”, extreme ceramic magnet, labyrinth inside chamber, front die cast chassis with controlled dispersion

System

Two-way damped bass-reflex, rear ported, “Fase Zero” concept, Mundorf parts: ribbon reactors, very small tolerance army-grade resistors and oil capacitors

Corpus

Hand picked italian massive oak, no use of MDF or DTD, ages for 3 weeks before use; composite bitumen inner damping

Frequency Response

(-3dB on reference axis): 33 – 30000 Hz

Connection

2 pair of single mounted gold-plated Xavian terminals

Impedance

8 ohm

Crossover Frequency

2250 Hz

Sensitivity ( 2,83V / 1m )

85 dB

Recommended Amplifier Power

50 – 300 W

Dimensions (HxWxD)

380 x 236 x 282 mm

Weight (1 Piece)

17 kg

7 reviews for Orfeo

  1. :

    “They are characteristic by the fact that they don´t have any problem anywhere. They play without effect and with kindness. These deserve to be named after the greatest musician of ancient times…”

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  2. :

    Czy coś bym w nich zmienił? Chyba bym spróbował, chociaż ostateczny efekt nie musiałby okazać się wcale lepszy. Góra pasma jest czysta, rozdzielcza, delikatna, słychać dużo detalu, z bardzo dobrym różnicowaniem, przydałoby się więcej blasku – mogłaby zagrać trochę odważniej, po prostu głośniej. Niskie rejestry są tak obfite i bogate, że odrobinę większy udział góry teoretycznie by nie zaszkodził, lecz brzmienie bardziej otworzył, zaktywizował na drugim skraju, w ten sposób jeszcze lepiej zrównoważył; ale praktycznie – nie wiadomo. Może czar by prysł. Lepsze jest wrogiem dobrego, a przecież już jest lepiej niż dobrze. Jest znakomicie, chociaż nigdy nie jest idealnie.

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